“She’s just beautiful, so sweet,” Sweeney continues. “I love how much she loves her job. She’s so happy to go, and so excited for the jumps. She’s really been a joy to ride. We’ve had some amazing horses in our lives, which I am so grateful for.”

Photo by Julie Ahn

But while listening to her voice as she describes Rosie’s positive frame of mind and their natural fit together as a team, it’s abundantly clear: this horse is something special.

But then again, so is Sweeney.

All in the Family

Chances are you’ve seen Alison Sweeney on your television screen. She portrayed Sami Brady on Days of Our Lives from 1993 to 2015, hosted NBC’s The Biggest Loser for 13 seasons, and she’s starred in over 30 Hallmark movies, including popular franchises such as the Hannah Swensen mysteries, the Chronicle Mysteries, and the Wedding Veil series.

Sweeney is also an author of both novels and nonfiction; an ambassador for Stand Up 2 Cancer, among others; a wife (she and her husband Dave have been married for 26 years); and a mom of two. And, of course, she loves horses.

You could say an affinity for horses runs in Sweeney’s family. Her mother, Polly, is a well-known California equestrian who competed for decades.

“She’s sort of a legend in our area,” says Sweeney.

Polly and Alison Sweeney during her earliest pony-riding days. Photo courtesy Alison Sweeney

Throughout her career, Polly trained with Jimmy Williams, George Morris, Marcia Williams, and Archie Cox, among others, and she was named the World Champion Hunter Rider at the Capital Challenge Horse Show. Sweeney’s teenage daughter, Megan, is also an accomplished equestrian.

“My daughter is a way better rider than I am—she’s such a good rider!” says Sweeney.

With a horse-loving mom, it’s no surprise that Sweeney’s association with horses started early.

“I started riding when I was little,” she says. “My mom has been riding her whole life, so of course she introduced riding and horses to me when I was very young. And I loved it. I did a lot of riding when I was younger.”

But when a career came calling—Sweeney was just 16 when she began playing Sami Brady—she stepped away from the equestrian life while she pursued acting.

“When I got into my career, and in my 20s, it was harder to have time for everything,” she says. “I took a break from riding for probably 10 to 15 years.”

Sweeney pictured in 1993, just after she began appearing on Days of Our Lives as Sami Brady, a role she played for 21 years. Photo courtesy Alison Sweeney

The birth of her daughter, Megan, was the catalyst that brought Sweeney back to horses.

“[It was] wanting her to have the opportunity to get to be with horses that got me back into it,” she says. “And now here we are, three generations riding together. It’s so great.”

The significance of having such a deep multi-generational interest in horses is deeply meaningful to Sweeney.

“It’s so special—it bonds us,” she says. “It connects us all. It’s such a fun thing we have in common that we can share and talk about. I really think there is a horse-lover’s gene inside of you. I think there must be.”

With three generations involved with horses, there’s plenty of opportunity for the family to share their interests together.

“We love competition, and we love traveling for horse shows,” says Sweeney. “I love to ride. I love lessons, I love trail rides, I love being at the barn. We love the atmosphere, love being with our friends.”

A Competitor at Heart

Sweeney also loves jumping and primarily competes in the 1.10-meter classes (3’7″).

“I had goals along the way for the height of the jumps, getting up to competitive heights,” she says. “I’ve done 1.20-meter courses, and now I realize—and maybe it’s because I’m getting older—but I would rather just get better at what I’m doing and enjoy the process. I find myself still so challenged at 1.10-meter jumpers. It’s fun and it’s hard and I’m nervous about it and excited, and when I do well, I’m really proud of myself. I have a lot left to learn, so I don’t feel the need to keep putting the jumps up. I’m happy to get better at what I’m doing. It’s a thrill, the feeling of going around the course, and the excitement of when it all goes well, and you’ve communicated with your horse and you’re totally in sync for 12 or 14 obstacles. It’s the most incredible feeling. It’s unbeatable.”

Sweeney still loves the thrill and excitement of going around a jump course and competing, shown here on cover star Rosie. Photo courtesy Alison Sweeney

Competing is challenging, but it’s not as hard, Sweeney says, as being a horse show mom.

“Megan always says, ‘Mom, stop gasping.’ Being a horse show mom is really stressful. I care for myself, [but that’s] my heart outside of my body right there, with her. But the thrill of it is even bigger, too. The smile on her face when she comes out of that ring, proud of herself, or when she really shows what she can do, or she had a good round, it’s the best.”

Alison competes in the 1.10 meter jumpers (pictured on Captain). Photo by ESI Photography/courtesy Alison Sweeney

Work/Life Balance

Of course, there’s the question of “how?” As we all know, the equestrian life is a balancing act, and it’s a never-ending challenge to navigate the complexities of family, work, and horses. And as Sweeney’s career continues to evolve and expand—she’s now added the role of writer for the Hannah Swensen movies in addition to being the executive producer and playing the lead role in the films—how does she find time for horses?

“It’s a lot, I admit,” she says. “I talk to my friends at the barn all the time about that, how you balance it out. For me, with work and stress and everything else going on, I consider it such a healthy and important part of my mental health to get outside, to be with my horse, to spend the time separating myself from all those other issues and being really present. I’m better at doing everything else because I spend the time riding.”

Even still, Sweeney recognizes the demands of trying to make horses fit in a busy schedule and a hectic pace, and realizes riding isn’t necessarily something you can do every day.

“I totally get that,” she says. “But if you can find the time to get up early, or block it out, or find a certain window to do it, it really is worth it. It isn’t just a luxury. It really does help you center yourself and get your mind back on everything else.”

And Sweeney looks for ways to find time for horses even when she’s filming. Her Hallmark co-stars are very supportive, including the other actors and the crew, who even came to cheer her on when she competed at the Thunderbird horse shows.

“Then we all watched the Grand Prix, which was super fun,” she says.

Barbara Niven, who plays the mother of Sweeney’s character in the Hannah Swensen movies, shares an especially close bond with Sweeney.

“[Niven] loves horses as much as I do,” she says. When Sweeney and Niven are on location in Canada filming, they sometimes stay at a horse property in Vancouver recommended by trainer Archie Cox. She and Niven hang out with the horses, and sometimes Sweeney even has the chance to ride.

“Barbara will video me and send my mom the videos,” she says. “[Niven] says she’s my horse mom. We have so much fun talking about [horses] together. She also watches Megan’s rounds with me when I’m away on location and Megan is competing. I’ll try to get the livestream, and [Niven will] hold my hand and jump every jump with me,” says Sweeney. “She’s so supportive. She totally gets it. All the feelings.”

L-R: Polly, Megan and Alison have a strong bond both in and out of the show ring, and it was Megan who helped bring Alison back to horses. Photo courtesy Alison Sweeney

Horses on Screen

Sweeney recently went on location in Spain to film two rom-com movies with her friend Ashley Williams for the Hallmark Channel. Over the past few years, she and Williams developed these film concepts, and together they starred in and served as executive producers for the films, which just aired last summer.

But what lies beyond? Does Sweeney ever think about doing a horse movie?

“Are you kidding? I think about it all the time!” she says. Watching current shows like Yellowstone that prominently feature horses makes her feel this even more deeply. “How do I make this a thing in my life? I just need to figure it out!”

Yet Sweeney is keenly aware of the challenges that equine film projects entail.

“Now that I’m actually a producer of movies, I understand how hard it is to do it right [with horses],” she says. She did have an opportunity to do a trail riding scene in a ranch setting in one of her recent movies, and she would jump at the opportunity to combine her love of horses and films even more in the future.

Staying Present

There’s lots to love about riding, and in Sweeney’s case, it certainly involves the bond she shares with her mother, her daughter, and, of course, her equine partner Rosie. But the meaning of it all goes even deeper than that.

Polly, Megan and Alison in current day, having spent years sharing their passion for horses. Photo by Julie Ahn

“One of the things I love the most about riding is that it really requires you to be present in the moment,” she says. “You can’t be thinking about work, or your personal life, or other problems, or things you’re worrying about. You have to be thinking about what you’re doing right now with the horse, what you’re communicating to them, and what they’re feeling. It takes you away from all those other issues. It just gives you that time to separate from how busy you are, what’s going on, or any problems you have, or struggles you’re dealing with, and gets you to focus—sort of how they talk about in yoga—[on] just being present. It requires you to be so present in what’s happening and what you’re feeling and what you’re hearing.”

She sums it up as all equestrians immediately understand:

“It’s the perfect place—my happy place.”

This article about Alison Sweeney appeared in the July/August 2025 issue of Horse Illustrated magazine. Click here to subscribe!

The post Alison Sweeney: From Horses to Hallmark appeared first on Horse Illustrated Magazine.

Jessica Jo—“JJ”—Tate’s love affair with horses started early.

“I think it’s in my blood,” she says. “As a kid, from the backseat of the car, I would see horses in the field, and I wanted to run to them. I had Horse Illustrated posters on my bedroom walls.”

JJ Tate and Romeo steal hearts and 2nd place as reserve champions at the Developing Prix St. Georges in Wellington, Fla. Photo by Richard Malmgren

Starting Out

At 9, Tate began taking dressage lessons and got her first horse, a Saddlebred named Solo.

“Solo instilled in me what it’s like to be best friends with your horse,” she recalls. “Even now, as a professional working on becoming a world-class rider—that connection and why we do it—I always bring it back to what a wonderful horse Solo was. Horses gave me my self-worth. And for that, I will thank horses every day of my life by educating their riders to give back to these amazing beings. For me, that’s what dressage is about.”

Tate made her FEI (international-level) debut at just 16 years old, competes regionally and nationally, and won the Dressage at Devon World Cup Grand Prix in 2018 and the Global Dressage Festival CD14* Grand Prix Freestyle in 2020.

She humbly attributes much of her success to her cherished mentor since age 11: Charles de Kunffy, U.S. Equestrian Federation “S” dressage judge (retired) and author.

“I still ride with him online,” says Tate. “He has been this voice of reason, helping me bring out more than I ever thought was in my horses. Whatever it was, I would go through a session with Charles and he would build the horse up from the inside out by the rider outside in.”

Connected to Dressage

She says horses help us develop character and the discipline to be a good leader.

“I think it’s important that people get connected to dressage—correct, beautiful, classical dressage—because it’s a study of oneself and how that affects the horse,” says Tate. “I want to create something more beautiful in the horse by my presence in his life.”

She also allows the horse to hold us accountable.

“Horses are the mirror—not only of your body, but also your willpower and self-worth,” says Tate. “When you can get a 1,200-pound horse to do something simply by your breath, it’s amazing. Truly being in harmony with something that doesn’t speak your language and is built differently than you, that’s incredible. Nurture the spirit of the horse, never dampen it.” 

Upbeat Teaching Style

Tate works with horses from green to Grand Prix. She provides short-term instruction in her hugely popular clinics (which fill up fast) and long-term training in person or via Team Tate Academy.

JJ Tate and Summersby savor a perfect fall day. Summersby, now a broodmare, is a Hanoverian Tate purchased as a 4-year-old and successfully competed all the way up to Grand Prix. Photo by Richard Malmgren

An exceptionally gifted trainer and clinician, Tate loves teaching. Puckerbrush Farm in Newburgh, Maine, was thrilled to host her again for a three-day clinic. Riders and auditors listened, watched, and laughed as Tate used every ounce of her being to teach, inspire, and commend the riders, artfully employing humor and personal experiences to introduce new concepts. She tailored her approach to each rider and horse. No one was made to feel inferior—or superior—to anyone else.

And when Tate smiles, you can’t help but smile back. Her upbeat approach to her personal and professional life, a rock-solid work ethic, and a history of making healthy lifestyle choices shine brightly.     

Shocking Diagnosis

But sometimes, life throws an unexpected curve ball. Sometimes, it feels more like a boulder.

In 2021, Tate was diagnosed with breast cancer and underwent a double mastectomy.

“I won the Grand Prix on a Sunday afternoon, and by Tuesday morning, I got a call telling me I had cancer,” she recalls. “And I was like, What? This is in my body?! But I’m one of the lucky ones. It was slow-growing, not aggressive. As any near-death experience does, it really changed my perspective to being so grateful for what I get to do every day, the gifts I’ve been given, and my love for horses.”

Tate researched treatments, adopted a plant-based diet, and 10 days after her surgery, she tapped into the healing power of horses.

“I had to get back on a horse,” she says. “I just walked and was super careful because I still had one drain in. And I was totally scared. Will I ever ride as good as I did before? Is cancer going to come back and kill me? Do I need to do chemo and radiation?” (She was able to opt out of both.)

Two months later, she scored a 74.7 percent in the Grand Prix Freestyle at regional championships.

“[On a horse who was] tough to ride, a little strong, and I had no chest power left. It was the most incredible ride ever; a standing ovation. Everyone was crying at the end,” says Tate. 

She also acknowledges the reality of discouragement.

“I always thought I’d go to the Olympics,” Tate muses. “I was going in for an MRI on the day my friend Steffen Peters and others were riding down center line at the Olympics. They were sending me beautiful messages. Your life can look so different. You think it’s going to be one way and then you’re like, I’m not at the Olympics—not that I was short-listed or anything—but I just always felt like I was going to do that.”

Take the Risk

Shifting focus and recognizing the greater power horses can help us connect to, Tate packed up her horses and spent the next two summers in Europe training.

“Life is short,” she says. “I’m going to do the thing and take the risk. And I’m bringing everyone along to share in the process. I think we become who we are through our struggles, helping each other navigate through those tough times—whether that’s a canter depart or a cancer diagnosis. And I have reason to smile every day when I walk into my barn and my happy horses are waiting for me.”   

For more on Tate’s clinics and Team Tate Academy, visit www.teamtateacademy.com.

This article about JJ Tate appeared in the July/August 2025 issue of Horse Illustrated magazine. Click here to subscribe!

The post JJ Tate: Healing with Horses appeared first on Horse Illustrated Magazine.

Photo courtesy Donna Barton Brothers

Racing Shetlands

Before Donna began race reporting, she carved out a jockey career that spanned 12 years and 1,130 wins. In the 1990s, she regularly rode for Hall of Fame trainer D. Wayne Lukas, piloting numerous stakes winners. Although she retired in 1998, Donna is still one of the top female jockeys of all time in purse earnings, at $18 million.

Growing up in Chester, W. Va., Donna’s first “races” were ridden bareback on Shetland ponies against her little brother Jerry and older sister Leah. The pasture where the ponies lived served as their track.

“At some point, we would end up in a race,” she recalls. “I think the ponies’ goal was to get into the woods, and the first one that could jump a log while going under a low-hanging branch and get rid of us won.”

The three Barton siblings, who would all later become jockeys, did what came naturally: ride at speed. Horse racing is part of Donna’s family’s DNA. Patti Barton, Donna’s mother, was one of the first six licensed female jockeys in the United States. Patti raced from 1969 until 1984, amassing just over 1,200 wins.

Donna is married to Frank Brothers, a retired Thoroughbred racehorse trainer who won two of the three Triple Crown races in 1991 with the colt Hansel. The couple splits their time between Louisville, Ky., and Saratoga Springs, N.Y., with their dogs Molly and Jackson.

Juggling a mic and race program in front of the cameras while galloping on a horse is no easy feat. Photo courtesy Donna Barton Brothers

Race Day Reporting

In the three months leading up to the Triple Crown or Breeders’ Cup, Donna spends six to eight hours a day on her computer.

“I’m reading articles, researching horses, and watching races,” says Donna. “[I’m] reading about those races beforehand, and reading the comments after.”

On race day, she multitasks.

“I’m riding a horse, and I’m trying to make sure that the horse and I don’t part ways,” she says. “And at the [Kentucky] Derby, there’s people on the outside fence who are banging on the fence, because they’re excited that the Derby’s running. That could spook my horse. So I’m paying attention to my horse and what my horse is paying attention to, and I’m listening to the call of the race in my ear … I’m listening to see who’s in the lead. I’m listening to see how fast they went in the first quarter [mile], how fast they went to [the] half.”

Donna Barton Brothers is instantly recognized by equestrians as she interviews winning jockeys after the biggest races in the country. Photo courtesy Donna Barton Brothers

Despite being on the track, positioned behind the starting gate, Donna can’t see the races from her saddle’s vantage point. Once the gate’s latch is sprung, she gallops behind the field. In longer races, she gallops away from the field.

“In a race like the Kentucky Derby where the distance is a mile and a quarter, that wouldn’t give me enough time to get to them,” she explains. “I’ll wait until they spring the latch, and then I take off galloping [in] the opposite direction. So I’m going around the turn that’s going to be their second turn, headed in the opposite direction. And then I’ll get to about the half-mile pole and stop and let the field run by me. And I get a glimpse of the field. Then I take off galloping again down the backstretch, so that I’m in position to interview them after the race.

“For the most part, I have no idea where the winning horse came from, unless it was in the lead the whole way,” she continues. “At first, I saw that as a liability, because I’m going to interview the winning rider, and I don’t know anything about their ride. Then I realized that unless the horse is in the lead the whole way, 90 percent of our viewers also have no idea where that horse came from. It puts me in a position to be able to say to the rider, ‘It looked like your horse didn’t get away from the gate cleanly. Can you tell me about your trip from the start of the race?’ It allows the rider to tell us about the trip.”

Donna rides past the scenic mountains at Santa Anita during the Breeders’ Cup Championships. Photo courtesy Donna Barton Brothers

Triple Crown History

In 2015, Donna covered the Belmont Stakes when American Pharoah and Victor Espinoza ended horse racing’s 37-year Triple Crown drought. When the bay colt crossed the finish line to cacophonous celebration, Donna kept her emotions in check.

The next day, she called her brother and sister and discovered they’d both watched the race from their respective homes with tears in their eyes. Donna reflected on the magnitude of the winning moment and captured the emotion of the moment by writing an essay for the New York Times entitled “Holding Back Tears After American Pharoah’s Triple Crown.”

Just three years later, Donna witnessed history again when Justify won the Triple Crown in 2018. She recalls her first impression of the chestnut colt.

“As soon as he walked out of the barn, I thought I was looking at a Greek Adonis of a horse. He was just a magnificent specimen, and I thought, ‘This horse is going to win the Kentucky Derby.’” When Justify clinched the Triple Crown title, Donna was elated for jockey Mike Smith.

“He had paid his dues, and he is a good, good person, and he’s a great rider.”

Donna’s last interview question with Smith was almost never asked. The cameras were about to switch to winning trainer Bob Baffert, but Donna insisted on one more question.

“My last question was, ‘Mike, we talked some months ago, and I asked you about how you felt about being inducted into the Hall of Fame, and you told me that you didn’t really feel like you deserved it at the time. Do you feel like you deserve it now?’ And he said, ‘Yeah, I feel like I belong now.’ That was special. It was nice to see him come full circle on his accomplishments, and he had such a deep appreciation for the horse that if I hadn’t asked that question, he wouldn’t have taken a second to look back on what he had done.”

Donna and Mike Smith’s historic exchange is now part of a reel at the National Racing Museum and Hall of Fame in Saratoga Springs, N.Y.

A Close Call

Coming up with insightful on-the-spot reporting is part of what has made Brothers a staple on race day. Photo courtesy Donna Barton Brothers

Donna remembers one race at Keeneland Racecourse in Lexington, Ky., as “a little too exciting.”

“As soon as the [starting gate’s] latch was sprung, a horse dropped its rider,” she says. “So I turn up the backside, and the outrider’s standing there, and he knew full well there was a loose horse. Now I have to stay out of his way, and he’s on the outside. The BATCAM [a camera mounted to a wire that runs along the backstretch] is going to come running toward me when the field comes toward me, and Sherman, the horse I was riding, doesn’t like the BATCAM. He spooks at it every time.

“The field is running toward me on the inside fence, and the loose horse is running toward us in the middle of the racetrack,” she continues. “We had to run directly under the BATCAM, as it was headed straight for us—that was the only place I could avoid the outrider, the loose horse, and the field.”

Donna cued to the gelding that they needed to dart directly under the aerial camera. Sherman rose to the occasion, and the two ran directly under it. She continued commentating, making her job look effortless once again.

Follow Donna on Facebook @BartonBrothers or Instagram @brothers.donna.

This article about Donna Barton Brothers appeared in the May/June 2025 issue of Horse Illustrated magazine. Click here to subscribe!

The post Donna Barton Brothers: Reporting from the Finish Line appeared first on Horse Illustrated Magazine.

“There were times where I, in the moment, I thought I was going to lose my life,” Dedera says.

She wasn’t sure if she and the gelding could successfully move forward, but she didn’t want to give up. Rojo needed her to help him find a home.

Rojo Rogue as a new arrival settling into his gentling pen before starting training with Dedera. Photo by Lydia Dedera’s Horse Training

Challenging Choice

Dedera never owned a horse as a child, but she grew up going to horse camp. At 15, she accepted a job as a stable hand. There, she discovered she enjoyed working with horses. If she found a one with a problem, she searched for an answer. She started helping friends and acquaintances with their horses, but she didn’t consider herself a trainer.

Dedera didn’t realize Mustangs existed until she stumbled across a video about them on social media. Intrigued by the video and encouraged by friends and family, she entered a local Mustang adoption challenge when she was 19. That’s where she met Rojo.

When her turn to choose a horse for the competition came, she remembers feeling called to select Rojo, so she did. But despite her initial confidence in the selection process, her first encounters with Rojo discouraged her.

After multiple close calls, Dedera desperately searched for a way to establish trust with him. This led her to a revelation: She realized she viewed herself as a stable hand who wanted to be a horse trainer but didn’t feel qualified. She felt out of her element and even awkward, and she wondered if Rojo felt the same about his current situation.

“I chose him when nobody else did; he wasn’t chosen for another competition, and he was one of four horses left,” Dedera recalls. “I truly felt like I was his last chance.”

She returned to Rojo with a renewed commitment, proceeding only as his comfort level allowed. As she gained his trust, his aggression stopped. Dedera continued his training by using positive reinforcement and approach-and-retreat methods. Eventually, Rojo’s fears faded away, and the two formed a relationship built on trust and respect.

The Four Wins

As of March 2024, a Bureau of Land Management (BLM) report estimates that there were around 5,154 wild horses and burros in Oregon, but the number of wild horses and burros the state can sustainably support is closer to 2,700.

BLM’s website explains, “Because wild horses and burros are federally protected and lack natural predators, the BLM must manage population growth to ensure healthy wild horses and burros thrive on healthy public rangelands.” Placing wild horses and burros in qualified homes through adoption is one of several management methods.

Erica FitzGerald is the president and founder of Teens and Oregon Mustangs, an organization that matches trainers with wild Mustangs to promote their adoption. It’s through this program that Dedera found Rojo.

For every competition Teens and Oregon Mustangs puts on, FitzGerald aims to accomplish what she calls “four wins.” Those are:

◆ Find the Mustangs entered in the competition good “forever homes.”

◆ Help the trainers develop better horsemanship.

◆ Reduce the number of Mustangs in BLM holding pens.

◆ Provide buyers with solid horses that have fantastic foundations.

FitzGerald says Dedera (who competed in the adult division) checks all of those boxes.

“All those wins are met with Lydia for sure, and that’s our mission,” she says.

By the competition date, Dedera and Rojo had formed a partnership that made it possible for them to compete in what became Dedera’s first horse show. They entered the ridden division of the challenge, where they placed 2nd in the Novice Trail class and 12th overall. But more importantly, Rojo sold for $9,000 to a home where Dedera continues to work with him.

Dedera and Rojo competing together at the Teens and Oregon Mustangs competition. Photo by Jenn Koenig Photography

When Rojo left the competition with his new owner, a flood of feelings rushed over Dedera.

“I remember loading him up in his new family’s horse trailer and fighting tears,” she says. “I handed his owner a bag of his favorite treats, and when I turned around, the whole stable was empty. I had a hard time knowing what to do with myself for the remainder of that day, but I also felt a strong sense of completion.”

Transforming Lives

Rojo’s adoption marked the beginning of what has become a yearly project for Dedera. Her second year competing with Teens and Oregon Mustangs introduced her to a South Steens Herd Management Area (HMA) Mustang, Firefly, that she kept after the competition.

Lydia Dedera and her personal Mustang, Firefly. Photo by Jenn Koenig Photography

In 2024, Dedera helped her entry, a Palomino Buttes HMA gelding named Simba, not only find a home, but also become one of the highest-selling horses in the program’s history, with a sale price of $34,000.

FitzGerald explains that Dedera’s work with the Mustangs she trains makes them into family horses, which helps them find forever homes.

“She puts a solid foundation on her horses and makes them really adoptable,” she says.

At home, Dedera works with all breeds of horses, but Mustangs are her favorite. She’s trained eight from the wild, and estimates that she has worked with more than 100 Mustangs in total. Her experience with Rojo taught her the value of instilling trust and respect in all of the horses she trains.

“If I can get a horse, a Mustang, to trust me as its friend, as its leader, and to want to be with me and to want to please me, then I can do anything with that horse,” Dedera says.

While it’s clear the Mustangs Dedera works with undergo transformations, those horses have transformed Dedera’s life, too. She explains that her faith encourages her to pursue qualities like patience, diligence, integrity and purposeful living in her daily life. Dedera says God has used Mustangs to grow her in those very areas.

“When you’re studying an animal and you’re helping him become his best, you can’t help but look on the inside as well,” she says.

Dedera isn’t certain what the future holds, but she thinks it will be exciting. She can see herself continuing to teach lessons, train horses and compete, but she would also love to start traveling and performing with Mustangs.

Wherever she goes and whatever she does, the uncertainties of yesterday are gone, and the promise of tomorrow looks bright. And today, in the present, Dedera confidently calls herself a horse trainer.

This article about Lydia Dedera appeared in the January/February 2025 issue of Horse Illustrated magazine. Click here to subscribe!

The post Lydia Dedera: Changed by Mustangs appeared first on Horse Illustrated Magazine.

When she was 12, Lawson’s family moved into a renovated farmhouse. And horses were soon a significant part of her life. “I was lucky enough to be included in activities with friends who were active in the equine show community. I started taking lessons and trail riding as well as competing in local shows, and I was hooked,” Lawson says.  

Kara Lawson, a licensed veterinary technician and owner of Infinite Equine Laser Therapy, LLC, performs therapeutic laser therapy on Tigo, a 7-year-old German Riding Pony. Photo by Julie Maddock

Recognizing a Need

Lawson’s love and respect for animals led her to pursue a career as a licensed veterinary technician, and she graduated in 2019. And it was while working at a veterinary clinic that Lawson was first introduced to photobiomodulation—commonly known as therapeutic laser therapy—and was impressed by the results and success stories she observed in the small-animal setting.  

As she continued working at clinics, Lawson began to see the real need for laser therapy for horses.

“I took certification classes through the American Institute of Medical Laser Applications, which included medical laser safety, principles in the companion animal practice, and in the equine athlete,” Lawson says. She keeps current with all rehabilitation continuing education (CE) offered through the American Association of Veterinary State Boards as well as other Board-approved platforms. These CE credits cover rehabilitation, lameness, nutrition, and the management of arthritis and metabolic diseases. 

Along the way, Lawson identified a problem.

“I did my research and realized that in Maine, there wasn’t really anyone who traveled to offer laser therapy services,” Lawson explains. “Most people have these services at an equine clinic when working up orthopedic or other issues, but can’t follow up with additional treatments necessary to make a difference.” And although she observed successful rehabilitation services, none included laser therapy with a veterinary-grade Class IV laser.  

So Lawson began mapping out a course to open her own business focusing on laser therapy. Equipped with a business course and good relationships with medical laser device companies, Lawson transitioned to the role of business owner and officially opened Infinite Equine Laser Therapy, LLC in early 2022.   

The Benefits of Therapeutic Laser Therapy

According to The American Animal Hospital Association, “therapeutic laser therapy is becoming an increasingly available option that veterinary practices can offer their patients.” Properly trained veterinary technicians can handle laser therapy appointments (if state regulations permit). Both quite easy and noninvasive, laser therapy can be a helpful addition to many treatment protocols.

“[Photobiomodulation therapy] uses wavelengths of light to promote cell regeneration, pain relief, circulation, inflammatory responses, and release acupuncture points for body harmonization,” Lawson explains. She uses laser therapy to accelerate the healing process on wounds, arthritis, pinched nerves, muscle strains, orthopedics, postoperative incisions, dermatitis, and more. “In other words, nose-to-hooves, ears-to-tail. It complements other rehabilitation and bodywork services, and can be used prior, during, or after exercising.”

The key benefits observed quickly include pain relief (release of endogenous endorphins), decreased inflammation, better blood flow, faster wound healing, and nerve regeneration. For orthopedic and other chronic conditions, expedited healing time is often achieved with multiple laser therapy sessions.   

As a testament to laser therapy’s ability to speed up the healing process, Lawson saw incredible results after performing maintenance laser therapy sessions on a 5-year-old mare diagnosed with multiple suspensory tears. “A recheck ultrasound performed three months later showed very minimal tears, and in some areas, no tears at all,” Lawson says. “Most multiple suspensory injuries can take up to six months to fully heal on their own. Laser therapy cut this time in half, and my client is thrilled to be able to put her mare back to work.”  

Since starting Infinite Equine Laser Therapy, Lawson has helped a number of horses.

“Henry, a 7-year-old Thoroughbred with kissing spine, is one of my long-term patients, and he has had a great experience with laser therapy,” Lawson says. She was able to help Henry with pain and discomfort before and after surgery (interspinous ligament desmotomy and wedge ostectomy) and now provides treatment as a bimonthly maintenance.

Henry, a 7-year-old Thoroughbred with kissing spine has greatly benefitted from laser therapy treatments. Photo by Allyssia Timberlake Photography

“We saw incredibly fast results, including pain relief, incision healing, immediate hair regrowth, and scar reduction,” Lawson says. “Now muscle maintenance is performed as Henry makes his way schooling First and Second Level movements.”

How Therapeutic Laser Therapy Is Performed

Therapeutic laser therapy is considered safe in all equine disciplines, and specific treatment protocols are applied depending on the patient.

“A wand connected to the device is used with either contact or non-contact to apply the treatment,” Lawson explains. “Treatments range from one to five minutes. The Class IV laser applies the highest power at a shorter amount of time, making it ideal for all animal patients and for working around movement, discomfort, or temperament.” 

Lawson performs laser therapy using a wand with direct contact and hand-held device Class IV laser. Photo by Julie Maddock

According to the AAHA, “the FDA divides lasers into four classes based on their power. Class III and IV are the most common lasers used in veterinary practice.”  

When a laser beam is directed to the patient’s tissue, the laser light is absorbed by the skin, muscle and bone. Penetrating at the cellular level, the light photons target water, hemoglobin, and cytochrome C oxidase within the bloodstream and mitrochondria. This stimulates cellular respiration, which plays a crucial role in wound healing, reducing inflammation, and managing pain. 

Veterinary-grade Class IV lasers are specifically designed with a myriad of fine-tuned options, protocols, and even acupuncture settings (using a targeted laser beam versus needles). Treatment duration and laser power are recommended based on factors such as whether the injury is acute or chronic, the type and size of wounds, and even coat color (light penetrates light and dark coats differently).   

Lawson uses a Class IV laser (veterinary-grade) with built-in anatomical protocols designed to deliver accurate therapeutics to specific indications or injuries. Photo by Julie Maddock

And how do the horses react to laser therapy treatments? “In most cases, equines with orthopedic injuries, muscle maintenance, acupuncture points, and generalized pain areas show a great deal of relaxation and releases when working on the area,” Lawson says. “Deep breathing, yawning, closed eyes, stretching, and sleeping can be observed. Some with severe injury or discomfort tend to shy away at first, show signs of annoyance, and then releases usually follow it. If the horse has not experienced bodywork before, they may take a few sessions to express any outward feelings about it.“ 

Even without seeing the signs of relaxation and enjoyment, the laser is still doing its job in treating the area of concern.  

Katie Goodspeed, one of Lawson’s clients and owner of a 7-year-old German Riding Pony named Tigo, can attest to the advantages of laser therapy.

“Tigo has benefitted from laser therapy with everything from basic muscle work to reducing inflammation,” Goodspeed says. “Because it’s so noninvasive, Tigo finds it quite relaxing. We’re so grateful to have found Lawson and been able to incorporate this service into our monthly bodywork routine.”   

Tigo relishes the release of tension during a laser therapy session with Lawson. Photo by Julie Maddock

Although Class IV lasers are very safe to use—even on sensitive areas like a swollen sheath due to an insect bite—they are contraindicated for pregnant mares and for treating cancer.

Lawson also provides kinesiology taping, which “provides immediate circulation to an area of interest, releases muscle spasms and strains. It is also used as a lightweight stabilization tool and joint support. It is inexpensive and easy to apply.”  

Lawson balances a busy work/life schedule as her business grows. “I am very blessed to have an understanding family who knows my love and motivation for my business,” Lawson says.

And she makes sure to carve out time for her two horses—Wallace and Whiskey. Lawson and Wallace, a 13-year-old OTTB, enjoy showing at Second Level dressage. “Wallace came to me with a severe suspensory tear that took him out of eventing,” Lawson says. “I have used laser therapy on him in multiple areas, and he continues to move up the levels with no orthopedic limitations. I use laser to maintain muscle activity, hind end engagement, and relaxation through his poll.” 

Kara and her horse, Wallace, at a 2022 USDF show in Maine. Photo courtesy Kara Lawson

Seeing the success of laser therapy in helping horses heal and experience noticeable improvement drives Lawson to keep pace with her active schedule. Lawson says, “I’m the ‘feel-good lady’… the horses are excited to see me because they know it’s time to relax on the crossties, relieve some pain, fix an issue, or simply enjoy themselves with no expectations.”  

You can learn more about Kara Lawson and the benefits of therapeutic laser therapy for horses by following her adventures on Facebook or visiting her website. 

This article is a web exclusive for Horse Illustrated magazine. Click here to subscribe!

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Could you do the same?

Equine Clipping Business

Originally from Long Island, N.Y., 34-year-old Kristen Abano was a horse girl who majored in communications and English. After college, she worked in office administration at Cornell Ruffian Equine Specialists in Elmont, N.Y., for a year before relocating to south Florida. Eager to be more hands-on in the equine industry, Abano began working as a veterinary technician at Palm Beach Equine Clinic in Wellington, Fla.

“Once I got into vet med, I thought that would be where I’d work the rest of my life,” she says. “That was my dream job at the time, but the burnout is real in that industry. Toward the end of my time as a vet tech, I started doing some grooming [for private clients]. When I left the clinic in early 2020, I started my own business as a professional groom and made it a legal operating entity in 2021.”

It took three years for Centerline Equine Clipping to create full-time income, but the business has doubled every year. Her own horse, Ace, a Haflinger/Quarter Horse cross, models for her business marketing photos.

Kristen Abano and Ace. Photo by Klara Balsan Media

Centrally located near the show horse hub of Wellington, Fla., Abano is able to service south and southwest Florida. She works on everything from six-figure show horses to the 40-year-old backyard pony.

“Body clipping is not just about aesthetics; some horses need this medically,” says Abano. “Take Cushing’s horses, for example: I have these on a four- to six-week schedule to stay ahead of their coat growth, otherwise they may develop further health complications.”

Abano says clipping is important for keeping horses cool in Florida, especially those with conditions like Cushing’s disease. Photo by Klara Balsan Media

While most of her business is body clipping, Abano offers plenty of other services, including sheath cleaning, mane tidying, private client grooming for shows, and preparing horses for photo sessions.

“Photoshoot prep is one of my favorite services,” she says, noting that she can do all the grooming and hand over an immaculate photo-ready horse, or stay for the duration of the shoot to help with details and getting ears up.

“My favorite part of what I do is getting horses to look and feel their best,” she adds.

Working Thoroughbred Sales

In 2023, an amazing 14,462 Thoroughbreds sold at public auction in North America for gross receipts of $1.2 billion. The average price per horse was $86,114.

Consignors who sell horses at these auctions routinely hire workers who specialize in preparing and handling horses at the sales. The most talented are able to work sales exclusively, rather than working on farms. On average, these consignors pay sales workers $250 to $300 per day.

Giovanni (Gio) Garcia, 31, of Little Village, Ind., has built a reputation as a top hand and makes a living working the country’s biggest Thoroughbred sales.

Garcia travels the country to horse sales and keeps up a steady full-time income stream, spending time with his family between sales.

Garcia wasn’t raised with horses, but he’s consistently worked in the equine industry since starting as a groom at Tampa Bay Downs in 2012.

“I started coming to Ocala and working as an exercise rider and groom on a farm,” says Garcia. “Someone asked me about working sales and told me I could make more money doing that.”

He experienced this firsthand in 2020 when he worked for Claiborne Farm at the Keeneland yearling sale in Lexington, Ky. It was there Garcia found his niche. Since then, he’s been hired by sales consignors to work at Thoroughbred sales in Florida, Kentucky, Maryland and New York.

“I go wherever the horses go,” says Garcia.

Gio Garcia walks a yearling to the auction ring at the Keeneland sale in Lexington, Ky.

During the longest sales, he may be away from home 16 days at a stretch. Once the horses ship in, the days are long and intense with no time off until the sale ends.

Whether he’s tacking up and wrapping the legs of a 2-year-old before a breeze show (where buyers get to watch the horse have a timed workout on the track before the auction) or showing rambunctious yearlings to prospective buyers, Garcia’s focus is always making sure the horses look their best.

“Whether it’s cold, raining, or hot, I love what I do,” he says. “I love horses and I’m paid to do something I love.”

Paul Sharp, one of the industry’s top 2-year-old consigners, sees Garcia’s passion.

“He’s reliable, knowledgeable, communicates well, and has a good touch. He definitely has a passion for the horses.” Ocala-based Sharp has hired Garcia to work all of his consignments since 2021.

As Sharp explains, an experienced hand like Garcia understands what’s at stake with the big sales and pays close attention to detail.

When he’s not working a sale, Garcia is home spending time with his family—his wife Courtney and their almost 2-year-old son, Giovanni Jr.

“He loves horses and already has a pony,” Garcia says with a smile.

Supplement Business

When Jerry Miller was a young man cowboying in Wyoming, he never imagined owning an equine supplement company.

Raised in Sheridan, Wyo., Miller went into the U.S. Navy after graduating high school. After serving his country, he moved to Seattle and worked as a welder for 12 years.

Miller then earned his mechanical engineering degree and moved to Idaho after graduating college in 2002. For the next 15 years, he traveled across the U.S. working as a consulting engineer for a company that built food and beverage processing systems.

“Between my ranching, welding and engineering experience, I was able to come up with new ways for my clients to make money,” says Miller. “I was always on the lookout for a way I could be my own boss.”

Jerry Miller started his business with an entrepreneurial spirit and an idea from a previous job.

That opportunity came in 2019, when Miller wrote an engineering proposal for a nearby CBD oil extraction lab. The owner ended up hiring Miller as the production manager to design and run his extraction lab in Oregon.

“I learned everything I could about the product and processing it,” says Miller.

When he realized the company threw away the hemp after extracting the CBD oil to use in human products, he sent samples for testing. When the results came in, his entrepreneurial mind started spinning.

Testing revealed the hemp contained no THC, but was rich in 18 amino acids that fuel hoof, bone, skin and hair growth, repair muscle, manage weight, and help mental focus, among numerous other benefits.

After doing a trial with horse-owning friends and seeing how readily horses ate it, Miller knew he had a viable product. From there, it was a matter of researching the best way to dry the hemp, grind it, and process it into a supplement.

Miller officially launched Remount on May 1, 2020, during the early days of the pandemic. His company is registered in Idaho and his production shop is located across the border in Ontario, Ore.

Remount is a 100 percent hemp amino acid CBD equine health supplement. It contains 18 vital amino acids, including lysine, methionine, leucine, and more. The supplement is available in both powder and pellet form.

“I put some money in the business to get it rolling, but it was paying for itself by the second year and became profitable by year three,” says Miller. “I’ve seen a 30 to 40 percent increase in sales since 2021.”

In addition to selling online through Remount’s website, Miller has the supplement in eight retail locations in five states, and he has 12 distributors in 10 states.

This fall, he is heading south in his fifth wheel to spend the entire winter in Arizona, doing vendor booths at horse events from November through March.

Advice for Making an Equine Career Happen

Do you have what it takes to launch a career in the equine world?

“There are many ways you can make a living working with horses,” says Abano. “Find what you’re good at and figure out how to make money at it. Make sure it’s something you enjoy and are passionate about. If you’re offering a service, you have to love it.”

Miller recommends researching first.

“Find something no one else is doing and go for it,” he says.

If you’re marketing a product, be prepared to give away samples in the first year to get people to try it. Sponsoring good competitors who use your product also helps get the word out.

For obvious reasons, location matters if you’re offering a service. For example, Abano’s proximity to Wellington and her ability to travel in south Florida set up her business for success.

During show season in Idaho, Miller has a vendor booth at the Ford Idaho Center in Nampa, which hosts many shows and equine events, allowing him to showcase his product to horse people from a variety of states and different breeds.

Next, don’t skimp on appearances. A professional website is crucial when you’re launching a business. Miller says “before and after” photos of horses using his supplement have really helped promote Remount.

Giving out free samples and using “before and after” photos for marketing helped build Miller’s business.

Finally, take advantage of social media and make the most of your connections.

“Wahl reached out to me after having followed my social media for a few months and asked me if I would be interested in joining their Pro Equine team,” says Abano. “Professionally, having this credential behind my name makes my business more competitive and marketable.” She is now a Wahl ambassador and educator who exclusively uses Wahl Animal products.

“I have consistent sales in over 25 states,” says Miller. “I couldn’t have gotten sales in some of those states without social media. I do a lot myself and have 15 to 20 sponsored competitors who talk about the brand on social media.”

This article about niche equine jobs appeared in the October 2024 issue of Horse Illustrated magazine. Click here to subscribe!

The post Niche Equine Jobs appeared first on Horse Illustrated Magazine.

Photo by Feratay/Adobe Stock

“My Navajo clan name is Ta’neeszahnii,” he says. “The Navajo are maternal, meaning we take our grandmother’s last name.” He grew up inside Navajo Nation on a farm in Cedar Hill, but just outside the reservation where his uncles still keep a horse ranch and his “great auntie” farms the family homestead.

“The isolation of my family farm gave me an authentic, traditional Navajo childhood,” says Englehart, who saw natural beauty up close rather than through a television set. But what his family also saw was how poverty deprived and denied opportunities to the young people on the reservation.

“Which is why my Navajo moved off the reservation—to find work and move beyond the economic injustice my grandmother, mother and ancestors endured, and so I could tell my story.”

The isolation of his family farm gave Hugh a traditional Navajo childhood. Photo by Pabrady63/Adobe Stock

Experiential Learning

Now in his 30s, he lives in Los Angeles, Calif., where he works as an artist, horse rescuer and youth educator. A challenge course designer as well as horseman, he hopes to see experiential learning become as mainstream in the United States as it is in both Europe and the southwest Four Corners area where he grew up.

“In Denmark, empathy and outdoor education are mandatory. Navajo education,” he grins, “called it common sense.”

Hugh at American Jewish University facilitating experiential education. The University partners with the Wounded  Warrior Project using horses to help veterans with PTSD. Photo by H.A. Eaglehart

Hollywood is all about putting on a good show, but when it comes to getting real, this passionate advocate for equine therapy says it’s all about the horses.

Earth Warriors

“I incorporate horses, summer camps, challenge courses, empathy, and my Navajo culture as a teacher,” says Englehart.

It has shaped him into a cowboy who is up for a challenge. One of the state’s top challenge course builders and inspectors, he is special consultant to the California State University-Northridge Outdoor and Recreation Department, home to the largest public-owned challenge course in Southern California, and directing manager for Griffith Park Boys Camp, operated by the City of Los Angeles Recreation and Parks Outdoor Education Department—the largest urban park in North America.

Hugh hugs a Mini named Squishy, whose career is doing TV commercials. Photo by H.A. Eaglehart

He’s carved a niche for himself in the challenge course industry just as it’s evolving to offer more fixed “wilderness type” team-building experiences than expedition-type settings.

The idea, he says, is to use empathy learning and positive memory making to foster a generation of leaders who “understand the importance of cherishing the planet while having the knowledge to become an Earth warrior.”

The Navajo, or in their language, the Diné, believe in two classes of beings. Citing Ray Baldwin Lewis for the Navajo Tourism Department, discovernavajo.com, these are the Holy People, who taught the Diné to live in harmony with Mother Earth and Father Sky; and the Earth People, who do everything they can to maintain that harmony and balance.

It doesn’t get much earthier than helping kids or horses find harmony and balance. The work Englehart does now had its genesis in leaving his home for Los Angeles and finding his way into wrangling and saving horses at a 4,000+ acre municipal park at the eastern end of the Santa Monica Mountains, home to the iconic the Hollywood sign.

“For me, Griffith Park is about so much more than horses, but horses are where my story begins.”

Photo by Larry Gibson/Adobe Stock

Flights & Totes

From Flora Vista, N.M., to Hollywood, Calif., Englehart has lived and breathed horses since he was “in nothing but a diaper and a Stetson” on his father’s lap astride the family horse, named Red.

“I’m not sure why horses give me flight in dreams,” he says. “Muscle memory? I do know that horses in my dreams signal a good night ahead. Horses give me flight in dreams or nightmares. Horses are why I love nightmares, which are never scary when I’m astride a horse. Nightmares are my chance at courageousness.

“One of the greatest horses I ever worked with was named Butters because he was the color of butter. Riding him felt as smooth as flying. Sometimes for fun we’d ride down to the Los Angeles River and race the trail parallel to the concrete canal system, the cool air blowing in our faces as I flew with Butters straight up to the moon over Glendale.”

Hugh rides a mare named Elsa in front of the last hay barn in Los Angeles, built during the Great Depression, before going to wrangle horses in the rain. Photo by H.A. Eaglehart

Or unfurling the wings of his aunt’s 17-hand Thoroughbred, Tote Sack.

“He was all legs and one gait: rocket fast,” Englehart recalls. “The moment you got on, he took flight. Tote and I were closer than I ever got with [anyone] I knew at the time. The only soul to come close has been a Friesian mare named Allie. I’m certain Allie is Tote reincarnated!

“I remember the names of horses more than I do humans. I think that is partly because horse personalities are more memorable—they’re genuine and larger than life. Horses take up their full space, whereas humans hide too much for Navajo to ever fully trust.”

Hugh as stunt rider playing a Native American warrior at Raleigh Film Studios, across from Paramount Studios. Photo by H.A. Eaglehart

His inability to trust was the most traumatic part of being closeted as a teenager.

“I didn’t come out until I was 23 and completing my last semester of college,” he says. “There’s nothing special about my story, which is actually the saddest part.”

He recently released a book under his pen name, H.A. Eaglehart, called Urban Native: The Musings of a Queer Navajo Cowboy in Hollywood, about growing up Native and the lessons he has learned from life, nature, and horses along the way.

However, his story includes a leg up. A college degree in outdoor education led to a promotion from Ropes Director to Senior Supervisor for Griffith Park Boys Camp last April, and he’s paying it forward. His replacement, Hope Rogers, was his recommendation.

“Our campers are international, have heterosexual and openly [gay] parents, and are surrounded by the spiritually resurrecting qualities of Los Angeles’ most untouched natural habitat,” he says.

An Unspoken Language

For any teenager, self-identity is a daunting undertaking.

“Horses provide a powerfully positive influence in early human development,” says Englehart. “After teaching hundreds of kids from all six continents how to ride, I can say that horses possess an unspoken language that kids speak instinctively, naturally tapping into the ancient bond humankind shares with caballos.

“Horses often perceive children differently from adults,” he continues. “Horses tend to be less trusting of adults because adults are better at hiding emotion.”

Navajo horse sense is handy for experiential therapy facilitators because horses fine-tune their ability to interpret the emotions of predators.

“Horses live by herd mentality, becoming experts in reading body language,” says Englehart. “A herd can feed off of wrangler energy. Stressed out cowboys can literally trigger a stampede. Herding horses taught me in real time how, by relaxing, the positivity of my mood increased, which in turn affected the mood of the herd. Stampedes are dangerous, so it really pays off to be at peace in the world of horses.”

A Hopeful Perspective

He says that children in the programs he works with give him a more hopeful perspective about the world in general.

Sherri Lindsay, City of Los Angeles Senior Director of Griffith Park Boys Camp, says the feeling is mutual.

“Kids love him,” she says. “He sees life differently and connects to people in a different way. Hugh’s easygoing style and love for exploring have taken him from Navajo Nation to the wilds of Hollywood, and we are all better for it.”

Englehart strives to create environments where everyone can thrive as individuals free to pursue happiness within inclusive communities. In therapy or horsemanship, the way to fight fire is not with more fire, but with more harmony.

In Mustangs and in Life

“You will never ride a wild Mustang by getting it to come to terms with your version of reality,” he says, recalling how he discovered the new job of a once-wild Mustang that had come through a rescue where he volunteered as a trainer.

Hugh bareback on rescued Mustang named Lola, who has since been adopted and lives an amazing life in the Hollywood Hills. Photo by H.A. Eaglehart

“A Mustang rehabilitated by the federal government program is easy to spot by the freeze brand on its neck,” says Englehart. “I came across a photo of a firefighter in Oregon battling a wildfire and, looking at the markings on its neck, it was instantly obvious that the horse came from the same rescue where I once trained horses! These rehabilitated Mustangs are sometimes adopted by Hollywood stars (like Conan O’Brien), but many are used by border patrol and wildfire fighters, to carry equipment to the front lines where road access by vehicle is limited.

“My incentive as a Mustang trainer was never to be better than anyone else, but that photo solidified my desire to leave the world in a more harmonious state. How much more harmony can exist if wild horses and firefighters can join forces to battle the flames—literally or figuratively—in front of them?”

Englehart’s book, Urban Native, is published by Incunabula Media of Seattle, Wash., and is available at incunabulamedia.com.

This article about Hugh Ta’neeszahnii Englehart appeared in the August 2024 issue of Horse Illustrated magazine. Click here to subscribe!

The post Hugh Ta’neeszahnii Englehart: Urban Native appeared first on Horse Illustrated Magazine.

Juliet R. Harrison.

Horsey Background

Riding forward is all she’s known since she was 10 years old, when a strawberry roan Welsh Mountain Pony named Ginger was “hers” for two riding camp summers at Glen Durham Stables in upstate New York.

Harrison and her summer pony, Ginger, in 1968.

“It was a traditional Pony Club program where we learned everything,” says Harrison. “They took us to local shows in Ulster and Greene counties.”

At the Vershire Riding Camp in Vermont, she picked up the basics of eventing before a summer on Long Island at the Thomas School of Horsemanship.

“I came off during an in-and-out combination where my horse jumped the first fence, then put the brakes on, and his bridle and I ended up on the far side of the second,” she recalls. “He was named Romeo but was no love of mine!”

Photography and Horses

By her 40s, her greatest love—her son—led her back to horses after years spent adulting to earn an MFA in Photography from Cranbrook Academy of Art. She built a work portfolio in retail and administration.

Harrison’s artistic medium of choice has always been photography; shown is her work entitled “All That Glitters.”

“After offering riding lessons to my 5-year-old, who liked them well enough, I realized it was me who wanted to ride,” she reflects. After three years of weekly group lessons, Harrison bought her first horse, Tony. “I had him for 14 years. He was my first horse and my last.”

The Belgian/Quarter Horse gelding was reminiscent of the “amazing” drafts she saw competing in Michigan while studying for her MFA.

“I’d never been able to draw or paint, but I had a camera in my hand since I was a child,” Harrison recalls. “My first ‘real’ equine photos were at that venue. But my immersion into horse ownership inspired me to turn my camera on the world I was part of.

“I shot unlike what most photographers were doing. I got closer to the bodies, cropping and orienting my subjects to focus on light, texture, contrast, and massing. I wasn’t ‘taking pretty pictures of pretty horses.’”

She found others who understood what she was trying to do, pre-Facebook, on a forum called the Equine Art Guild.

“There were thousands of us,” she remembers. “We held online group shows, entered juried shows, networked and supported one another. I was asked first to jury and then direct an online equine art competition called Ex Arte Equinus.”

That led to meeting more horse-focused artists, and by 2009, she was part of a Red Hook, N.Y., art collective.

“We rented a space with a storefront gallery and smaller rooms in the back that we offered as studio spaces.”

A passion project for her studio space turned into Harrison’s full-time work.

Diagnosis & Gallery Beginnings

She was renting one of those spaces for her own work when she got the diagnosis: stage 3 ovarian cancer.

“Between surgery and chemo, I was unable to get out and photograph, and was spooked about going back in the darkroom to do my own printing,” says Harrison. “When I was done with treatment and in remission, the studio space came up for renewal. I had to decide, was I going to give it up?”

The answer came from the artist friends she gathered with each year during Saratoga Race Course’s Thoroughbred racing meet, held during the summer in Saratoga Springs, N.Y. Among them was Canadian artist Linda Shantz.

“Linda had gallery representation in Saratoga, so she would drop off work when we met up, and I would pick it up for her at the end of the season and hold on to it for the bulk of the year until she needed to trade something out,” says Harrison.

“I asked if I could show her art in my studio and try to sell it. I’d been selling my own, so I knew how to market it. Linda agreed and I sold one [of her pieces] almost immediately. That was the genesis of Equis Art Gallery. If I couldn’t create enough of my work to sell, I could try to sell work by others.”

Murra (2023), an acrylic /oil/graphite/ink work by Ukrainian artist Kateryna Bailikova. Photo by Equis Art Gallery

She asked her Equine Art Guild/Saratoga friends if they would send her their artwork to sell.

“And they did! I still represent many of them today, including Linda.”

Giving Back Joy

Harrison’s last cancer treatment was in August of 2013, putting her in remission for the last 11 years. She opened Equis Art Gallery in January of 2014, and it now has an international collector base and represents over 30 artists from Canada, France, Germany, Italy, New Zealand, the United Kingdom and the Ukraine.

“Inviting [Ukrainian artist] Kateryna Beilikova was in discussion when war came,” she says. “I’m honored to have her work and amazed that she continues to create and get it out of the country to me, via Poland usually. I am lucky to know her and her work.

“Equis Gallery was my gift to myself. After surviving cancer, I asked myself what could give me joy and let me give back to those I care about. Two communities took care of me when things were at their worst, my equine artists and my Red Hook, so if I can bring support to them, I am thrilled.”

Nevermore (2023), an acrylic painting by Ukrainian artist Kateryna Bailikova. Photo by Equis Art Gallery

Equis Art Gallery has been called the only gallery of its kind.

“[Operating] an art gallery is not an easy business, and every sale means a lot, but one of my favorite stories is of a couple one summer who bought several pieces,” she recalls. “I was so excited I looked them up, and she turned out to be the curator of a famous museum gallery in New York City. Knowing that she found art in Equis worth owning meant a lot.”

This cancer warrior believes in giving a leg up to artists who don’t always find representation and introducing them to collectors who may appreciate their work and want to own it; collectors who want their art like they want their horses—right up close.

This article about Juliet R. Harrison appeared in the June 2024 issue of Horse Illustrated magazine. Click here to subscribe!

The post Juliet R. Harrison: A Gallery of Dreams appeared first on Horse Illustrated Magazine.

An ATV accident at 14 required amputation of Lily’s right arm, but that hasn’t stopped her from her quest for riding. Photo by Rachel Griffin

Horse Lover From Birth

Lily grew up in Tulsa, Okla., a third-generation horse girl thanks to a grandmother and mother who rode. Her mother had a string of retired Quarter Horses that she used to show in breed shows.

“I was ‘born with the defective gene,’ as my dad would say,” Lily says with a laugh. “Even before I could walk, I was on horses with my mom, but it wasn’t until I was about 8 or 9 that I started to take formal riding lessons and got competitive with it.”

Lily started her riding journey with dressage throughout her youth and junior years. She showed hunter/jumpers on her university’s Intercollegiate Horse Shows Association team. She ended up falling in love with the hunters, and that has fueled her continued passion for horses.

Lily started riding dressage, but has shifted to hunter/jumpers as her true passion. Photo by Rachel Griffin

The Accident

Lily was adventurous as a teen—a little too adventurous, she might say. At the age of 14, she was in an ATV accident that required her to be life-flighted to the hospital.

“My arm was amputated on the spot, so it wasn’t that I had amputation surgery—it was a stitch-her-up surgery,” Lily recalls. “My mom met me at the hospital, and as any mother would be, she was freaking out and sobbing. But the first thing I said to her as I was being wheeled into surgery was, ‘I guess I’m going to have to do western pleasure now.’ But the surgeon came in—who I had not yet met at this point—yelling, ‘Over my dead body will you sit on a western horse.’”

The surgeon just so happened to be a Hanoverian warmblood breeder and dressage rider. Lily credits her encouragement to continue riding horses as playing a key role in her healing.

“I would say 99 percent of doctors would’ve told me I was not allowed to get on a horse for at least six months after this hugely traumatic injury,” Lily says. “My doctor told me, ‘Whenever you feel ready, get on a horse.’ And so, a week after I was out of the hospital, I was on a horse again.”

Back in the Saddle

Lily found being around horses to be therapeutic and helped give her a positive outlook on life after her injury.

“Having something to work toward and a goal to achieve really helped my recovery,” she says.

Lily’s recovery was faced with two infections, and she says it took her about nine months to find an equilibrium in the saddle and re-learn how to use her body to effectively cue her horse. She leaned on her first horse—a half-draft pony named Prince—during that time.

“He was pony-ish, and he could be a little devil sometimes,” Lily says. “But after my accident, his attitude changed 100 percent. He knew that I was delicate and fragile, and he took incredibly good care of me, never putting a foot wrong.”

She says losing her arm helped change her perspective on riding, inviting creativity into her process, and causing her to be a more open-minded rider.

“There’s more than one way to accomplish something; riding can be effective no matter how it looks,” Lily says.

Highs and Lows

When thinking about the moments in her life that have meant the most to her, Lily says participating in the very first para show jumping demonstration at the Land Rover Kentucky Three-Day Event four years ago was one of them.

But so was competing in her first horse show after losing her arm, which was one year after the accident.

“It was a pretty monumental moment, but honestly, every single day feels like another success,” Lily says. “Even though I lost my arm nine years ago, I feel like I learn something new every day. I discover a little bit more about my body, a little more about what I can do rather than what I can’t do. Every ride has been a highlight, because I can’t take any ride for granted. I didn’t know I would get this far.”

Overcoming the balance and aid issues around having one arm has been her greatest challenge. But more than that, avoiding comparison to other riders’ experience as a youth were additional layers to her growing as a horsewoman.

“The biggest obstacle I’ve overcome is learning that everybody is on a different journey, so it doesn’t matter how old you are, what you’re doing, or how you’re doing it. As long as it makes you happy, that’s all you can ask for.”

Family and Career

In college, Lily studied business administration at the University of Lynchburg in Virginia with a minor in digital marketing and graduated in December 2022. Today, the 23-year-old runs her own business doing social media management and content creation specifically for equestrian brands.

Lily recently married to her husband, Andrew Voss. Andrew is not a horse person, but he’s very supportive of her passion.

She makes social media content about her life as a creative outlet.

“I like to share my journey because I think it’s important to showcase that riding has its ups and downs,” Lily says. “It flows, and riding isn’t a one-size-fits-all situation. I also choose to share a little bit more of my day-to-day life. [I like] sharing how you can have a very full life, even if you have a disability—it doesn’t have to limit you in any way.”

Horses and the Life

Her para-dressage horse, Charlie, has now been commandeered by her mom. Lily is in between horses at the moment and rides her trainer’s horses at a local barn while she’s horse shopping. She hopes to re-enter the show ring with a new mount, and plans to make the switch to show jumping from hunter classes.

Whatever she does with horses, Lily lives by a philosophy honed by her past and current experiences.

“No matter what life throws at you, you can always overcome it, however scary things get,” she says. “There’s always a light at the end of the tunnel. Sometimes it takes a week, sometimes it takes a year, sometimes it takes 10 years. But it always gets better, and sometimes works out better.”

You can follow Lily on Instagram at @lilybvoss.

This article about Lily Voss appeared in the July 2024 issue of Horse Illustrated magazine. Click here to subscribe!

The post Meet Lily Voss: An Inspiring Equestrian appeared first on Horse Illustrated Magazine.

“My love of horses started when I was a little kid,” says Rose. “I was obsessed with horses. At 12, my parents signed me up for riding lessons, and I was hooked. Shortly after that, we bought a horse. And I loved cowboy movies! I’ve worked with some fantastic cowboys and am deeply impressed with their grittiness and commitment to the animals in their care. When it comes to the animal, cowboys don’t quit until the job is done . . . I admire their courage.”  

And although he’s the first to admit he’s not a true cowboy, Rose still “loves the idea of being a cowboy.” His deep understanding of horses and their behavior allows him to help horses and their owners to truly connect, demonstrate mutual respect, and build strong partnerships. Rose’s skills in colt starting, problem-solving difficult behaviors, and training horses in ranch versatility have bolstered his resumé.   

Ryan Rose with Circle Bar Pistol and Jasper. Photo by Shea Ackman

Becoming a Horseman

Rose began working as a professional horse trainer in 2005. He quickly recognized the connection between having a successful horse trainer/clinician career and understanding what it takes to be a true horseman. He studied with world-class instructors, including Pat Parelli and Doug Jordan. Whether presenting at a small clinic or entertaining huge audiences at Equine Affaire or Road to the Horse, his engaging personality and passion for teaching shines through. Rose has a comprehensive training program based from his home in Wisconsin and an impressive following on his YouTube channel @ryanrosehorsemanship.  

Rose finds immense satisfaction in teaching the fundamentals of horsemanship. “I started as a horse trainer, but I soon realized that I needed to educate the owners as well so they could reproduce the results I was achieving.”   

Explaining the nuances between being a horseman and a horse trainer, Rose says, “I think they are separate skills—but there is value in both. A horseman focuses on giving the horse a really good deal—it’s more about the horse, helping him feel more comfortable. When I think of a horse trainer, they may feel pressure to provide a result for the owner. Trainers are very disciplined—in a good way—regularly working the horse, getting them conditioned and prepared for a show, but sometimes the horse can get sacrificed a little bit in that process.” 

Rose believes that being able to intertwine these skillsets can make a difference.

“I think there is value in being a good trainer, in being a good horseman, and in being a good cowboy,” Rose says. “You need to add each of those skills at different times.” 

Ryan Rose teaching groundwork at a clinic. Photo by Shea Ackman

Determining where to apply these skills requires a process of observation.

“One of the first principles of horsemanship that I follow is that I work with a horse at where they are,” says Rose. “Is the horse scared of people? Learned to dominate people? Is he spoiled? Or highly trained but done in a way that the horse felt forced through it?” Rose takes time to observe the horse and owner to see the level of connection, trust, and confidence the horse has for the person.   

To understand the horse fully, Rose stresses this process might take hours, days, or weeks. He watches for any signs that the horse is uncomfortable. “They give subtle tells—with their head, neck, ears, eyes, mouth, muscle tension, what direction they are facing . . . It’s all signals as to where the horse is at. There’s also an intuitive feel to it. It’s like if I’m having a bad day, I could probably fool you and hide it, but I couldn’t fool my wife. She would know. You can develop that with a horse and just feel something is bothering them.”    

Rose’s approach to working with a reactive or spooky horse plays out in his YouTube videos. “Both humans and horses must have levels of exposure to a challenging situation in order to overcome it,” says Rose. “So it starts with the person deciding they want to make a change. When someone shows up at my clinic, I try to figure out if they are ready to face their fear or simply want an enjoyable weekend with their horse. If they are open to change, my job is to find out where they’re at—and then challenge them out of their comfort zone safely. Horses are dangerous, so I carefully read the horse and person. I try to understand why the person is afraid. Is their fear valid? Is their horse dangerous? Is the person on the verge of getting hurt? Or, did they have a bad experience in the past and are bringing that into the present?

“If that’s the case, I’m going to coach them, challenging them through exposure to whatever is causing the fear—riding down a steep hill, cantering, riding bareback, or just being on a loose rein. I’ve seen unbelievable changes in people when you put them in a difficult situation and help them work through it—they become empowered. Their confidence level on the other side is just through the roof. I think it’s a more meaningful approach versus just visualizing it . . . A level of toughness and confidence comes through having to actually do it.”  

Teaming Up As Husband and Wife

In addition to focusing on the mental aspects, Rose helps riders grasp how vital correct body position is to progress and the well-being of your horse. “You could ride lameness into a horse with incorrect body position,” says Rose. Although not an expert in the field of rider biomechanics, he is married to one—his wife, Emily Rose, is a Certified Equine Rehabilitation Practitioner at Reaching Strides Equine Rehabilitation and an integral part of the Rose Horsemanship Center team.

“I make sure the horse is safe, but if the rider is struggling to sit the canter or feeling pain while trotting, Emily and I work together to get that sorted out for the rider and horse’s sake,” says Rose.  

Photo courtesy of Ryan and Emily Rose

Emily actively competes in dressage and is Rose’s business partner. “One of the things I enjoy most about working with my wife is our ability to help people—whether horse health issues or rider biomechanics. I can troubleshoot issues with Emily. It’s all in-house; I don’t have to outsource for that expertise. Emily is such a high-level professional, I have one hundred percent trust in what she recommends. And if Emily sees a horse for a physical issue and it turns out to be a behavioral issue, she can refer to me, and I can quickly step in to help. The response time is so much quicker because we are working together.”  

For Ryan and Emily Rose, it’s all about creating lasting connections between horses and the people who love them.  

Learn more about Ryan and Emily Rose and view upcoming clinics and events at  rosehorsemanship.com.  

This article about Ryan Rose is a web exclusive for Horse Illustrated magazine. Click here to subscribe!

The post Ryan Rose: Creating Strong Partnerships Between Horses and the People Who Love Them appeared first on Horse Illustrated Magazine.